NYC-based photographer Rick Guidotti was in Cincinnati photographing local families of kids living with genetic, physical, and behavioral differences. His non-profit, Positive Exposure, aims to show the “beauty in human diversity.” Film produced by Carrie Cochran, September 2014. Exhibition in Cincinnati, October 2014.
NYC-based photographer Rick Guidotti was in Cincinnati photographing local families of kids living with genetic, physical, and behavioral differences. His non-profit, Positive Exposure, aims to show the "beauty in human diversity." Produced by Carrie Cochran. September 2014
“I still paint graffiti because I genuinely think the side of a canal is a more interesting place to have art than a museum. And the fact of the matter is, if you exhibit in a gallery you have to compete against Rembrandt, but if you paint down an alley you only have to compete against a dustbin. I guess it’s the art equivalent of hanging around with fat people to make yourself look thin.”
“I did art at school but I never pursued it any further. I have a large collection of famous art at home, but they’re all fakes. I make them myself. If I like a picture I grab a photo, project it up and paint it. Sometimes I change the colours to fit with the curtains. I do it partly because I’m tight and partly because if the Basquiats and Picassos in the sitting room were real I’d be too scared to ever leave the house.
“I recommend graffiti to anyone, for no other reason than a trip across town is never boring — you’re always on the lookout for new spots and what you can do on them. Likewise, if you ever get bored going round a museum, the interest level ramps up substantially when you smuggle in your own piece under a coat and glue it up somewhere.”
“I don’t make as much money as people think. The commercial galleries that have held exhibitions of my paintings are nothing to do with me. And I certainly don’t see money from the T-shirts, mugs and greeting cards. My lawyer calls me ‘the most infringed artist alive’ and wants me to do something about it. But if you’ve built a reputation on having a casual attitude towards property ownership, it seems a bit bad-mannered to kick off about copyright law.”
In the little American town of Ann Arbor, Michigan, USA, exists a secret world that very few people are aware of. If you look carefully around town, you’ll notice itty bitty doors placed on the side of buildings. They are urban fairy houses…
Jonathan B. Wright, children’s books author, started creating little fairy doors in his home in 1993 for his own children (two daughters). Then in 2005, the first little door appeared in a public place in his city, and many others followed.
They can be on the side of a real-size door, in a side street, inside a shop, on any place really (a restaurant, a school, a public library…). Sometimes they are outside, right in the middle of a wall, and sometimes you stumble upon them as you are looking up a fairytale book in the town library!
If you walk around this town you may pass them by without noticing them.
Some people have installed a fairy house door in their own home or garden. We don’t know if any fairies have set up houses there…
You can use this link to find out more about Jonathan Wright and the fairy doors of Ann Arbor:
Illustrator and designer Akihiro Mizuuchi designed a modular system for creating edible chocolate LEGO bricks. Chocolate is first poured into precisely designed moulds that after cooling can be popped out and used as regular LEGOs.
It’s hard to determine exactly how functional they are, it seems like he had success in building a number of different things, though I can only imagine how quickly they might melt in your hands, but I suppose that’s beside the point; this is two of the greatest things in the world fused together.
If you google around there are numerous attempts at creating various forms of LEGO in chocolate or other food, but this appears to be the most detailed and well-designed of anything out there.
“To date I’ve made over 700 sand paintings in New York City as well as in other cities like Chicago, Miami, Detroit, New Orleans, Philadelphia, San Francisco,San Cristobal de las Casas. Its a process of pouring colored sand through my hands for 6-8 hours on average.”
According to a recent interview, Joe sees more in his art than you may think initially:
“Each grain really represents a being or living thing, you know? Metaphorically, then you’ve got billions of living things and they’re all working together to create something beautiful.”
Every day, women are harassed in the street simply for being women. In other words: Every time we step out the house, we run the risk of being shouted at, catcalled, or assaulted.
Brooklyn (New York) artist Tatyana Fazlalizadeh is using street art to take a place where women feel uncomfortable and turn it into a place where we cannot be ignored.
These two posters have a clear message. The first one means that if a woman is wearing a short skirt or a sexy dress, it does not allow men to treat her differently. Her clothes are NOT an invitation to strangers to approach her or make comments!
The second one means that a woman who walks in the street is just a PERSON who walks in the street, she is not there for strange men to look at her or talk to her.